Tag Archives: shravan gupta photographer

Shravan Gupta Beautiful Black-And-White-Photography

In her legendary photos Toni Frissell impresses with a strong trend toward surrealism or realism. The photo presented below, although in black and white, is both extremely sharp and clear. To achieve such level of clarity in black and white is extremely hard.

Black and White Photography
Alin Ciortea presents examples of modern street photography. In black and white, of course.

Black and White Photography

Black and White Photography
Unfortunately, the photographer is unknown. The photo seems to be taken at exact the right moment from exactly the right angle with a perfect lighting. Black and white can be powerful as well.

Black and White Photography
This photo, titled Candy Cigarette, not just displays something, it tells a story. It is both emotional and beautiful. This is what the originality of black-and-white-photography is all about.

Black and White Photography
This shot was taken in El Salvador. Child with star mask during “Day Of The Dead”. Other child in background rolls tire for repair in garage where he works at an adult’s job. The photo is full of tiredness and stubbornness. Simple motif conveying strong emotions.

Black and White Photography
Aneta Kowalczyk specializes in portrait photography. Some of her photos are provoking, some are strange and some are extremely beautiful. The example below displays the beautiful side of black and white photography.

Black and White Photography
Nick Brandt is a renown animal photographer which has become famous with his book of photographs, “On This Earth”, which was published in October 2005.

Black and White Photography
Taking a shot just at the right moment.

Black and White Photography
Woman Of Tibet. Realism at its best. Awarded with International Photography Awards in 2007.

Black and White Photography
Tour Eiffel: extraordinary contrast and perspective. Strong, clean and very precise shot.

Black and White Photography

Ghost Town Charm
Excellent lighting.

Black and White Photography
One of the most famous contemporary black and white photographers. Classic!

Black and White Photography
Polese’s works pay close attention to small, tiny details. The tones are perfects and compositions are beautiful which is why the photos are presented in this post. Notice the sharp contrast and the lighting at the first image below and the sharp pathway leading to the light in the second one.

Black and White Photography

Black and White Photography

Top 10 Wired.com Reader Black-and-White Photos
Ten extraordinary black and white photographs sent to the Wired.com editorial by its readers.

Black and White Photography

Black and White Photography

Black and White Photography

Michele Clement
Artistic yet beautiful and extremely powerful shot. Michele Clement is the winner of Black & White Spider Awards 2007 in category “Outstanding Achievement”.

Black and White Photography

Snyder Alison
This photo has been taken in South Crillon Glacier, Washburn.

Black and White Photography
Iranian film director Abbas Kiarostami on the hills surrounding the captital, where his film “Taste of Cherry”, which was co-awarded the Golden Palm in Cannes 1997, was shot.

Black and White Photography

Black and White Photography
Alison’s life in black and white photos. The significance of these pictures emerges in retrospect. “When my daughter Alison was born, in the tradition of a new parent, I began to photograph her, initially in a separate and private body of work. However, in the process of documenting Alison’s growth, I developed a passionate interest in human relationships and capturing intimate moments in the lives of family and friends.”

Black and White Photography

Black and White Photography
Alignment. Sometiems all it takes is to be at the right place in the right moment and take a shot under the right angle. That’s what happened here.


Shravan Gupta Tips For Successful Street Photography

Travel light and bring the right lens for you.

Don’t carry too much equipment. Choose one lens and stick with it. I have a small cross-body bag I use for film, lipstick and essentials, but keep my camera around my neck or over my shoulder. Choose your camera wisely. After a whole day, certain cameras become very cumbersome to carry—if you are serious about walking the streets—so plan the equipment in advance. A comfortable camera strap is a must. I find the best ones have neoprene cushioning at the neck. Take your camera everywhere with you so it starts to feel part of you. Your lens choice is very important. I find that prime lenses, such as 35mm or 50mm, give me sharper images than a zoom lens. I like to get closer to my subjects, rather than rely on a zoom to get me there —that almost ruins the intimacy of street photography. Start with a 50mm or 75mm, gain confidence and get closer from there.

Color versus black and white.

I like to simplify my photos to give more focus to the subject matter. I find that while I love color for portraits and conceptual work, black and white gives me a cleaner and more simplified image. There are so many images, ads, other people and cars on the streets, it can get very confusing to the eye in a color image. Sometimes a color image is necessary, especially if one is shooting in a place like Times Square, for example, or in a colorful place like India. Pay close attention to the background and how it may enhance your picture.

Steal a moment.

Watch people’s behavior and body language. Anticipate moments before they happen, such as a couple about to kiss. Follow human interactions, watch people. Stand in a spot for an hour, or in one specific area. Wait for a moment to happen, rather than search the streets for it. Try to be invisible.

Look for multiples.

Often I find multiples or repetition interesting in a shot, so look for scenes with this type of rhythm. For example, during fleet week in Manhattan, the sailors were walking the streets in groups, as were the four marines in the photograph below. Parades and protests are also great places to find good street scenes.

Freeze frame.

Streets are bustling places, full of people going about their daily lives—often in a hurry. Make sure your shutter speed is fast enough to get sharp shots even during movement. Street photography is something that requires fast reactions and fast shooting. Metering exposure in such situations (and to not miss a shot) can be hard. Very often I can guess the exposure, or perhaps use the “sunny 16” rule. Try to experiment with your camera settings and utilize the Shutter Priority mode to keep that shutter speed fast, or perhaps the Aperture Priority mode, if you want to remain more in control of your depth of field. The important aspect of street photography is to be fast and ready at all times.

It’s also interesting to try slower shutter speeds on the street and capture movement. Blurred vehicles, people running or panning shots can be just as intriguing as in-focus ones.

I caught you!

In my last B&H Insights article, I referred to catching people through my portraiture. In my street photography work I refer to it in a slightly difference context. The joy of street photography (and also the hard part) is that you want to capture a moment without the person even knowing you are there. It’s more about being unobtrusive and subtle than interacting with people. However, very often, the subject will notice you taking their picture. That moment of the subject first catching you is quite telling. I find that moment to be extremely real.

Don’t be afraid.

Street photography requires confidence. Act like you should be there. Don’t be afraid of confrontation. I have been yelled at many, many times but it’s all part of the experience. Explain yourself. Be polite, smile and say sorry if somebody is offended you took a photograph of them. Offer to e-mail the photograph. It takes practice being comfortable in this style of photography, but the results are very true to life and worth it.

All images in this article are © Sara Louise Petty.

Sara Louise Petty is a New York-based fashion designer and most importantly, mother. Always a lover of photography and the arts, she picked up a plastic toy Holga camera and started to experiment with analog photography. Although the Holga produced (and still produces) some of her most moving images, she moved on to 35mm and medium-format cameras.

Shravan Gupta View and Camera Angle


In two previous articles we’ve looked at 6 Portrait Lighting Patterns Every Photographer Should Know, as well as Lighting Ratios to Make or Break Your Portrait. In this third and final part of the series, we are going to examine facial views and camera angle and how to select and use both to your advantage and to flatter your subjects. Let’s start by defining these terms.

Definitions or descriptions

Simply put, facial view is what portion or angle of the face that is showing towards the camera. How is the subject’s face turned or angled relative to the lens, and your position at camera.

Your camera angle is where you place your camera, in relation to the subject in so far as the height, distance, and angle to the subject’s face.

Sounds pretty straight forward right? It is, however, small differences in either of the above can produce undesirable results. We’ll dig a big deeper into that in a bit, stay with me!

Facial Views

First let’s look at the 4 mains Facial Views used in portraiture. They are:

Full face is where your subject’s nose is pointing directly towards the lens. You see equal amounts of both sides of their face.

Full face view

3/4 view is where your subject turns their face just slightly in one direction until you cannot see the far ear any more.

3quarter face view

2/3 view is there the subject has continued to turn their head until the line of the nose is almost touching the outline of their cheek on the far side. Be careful not to turn them past that point so the nose breaks the line of the cheek. It’s not a rule, but it is not nearly as flattering that way.

*Note:  notice her earrings in the image above, and how it is not showing below her jawline in the one below.  When she turned her face just a little more, the earring looked like it was coming out of her face so I had her remove it for this image.  Watch for things like this as the facial angle changes.

2thirds face view

Profile is where the subject’s face is turned almost exactly 90 degrees from front, basically their nose is pointing sideways. You should only be able to see one side of their face and not the eye on the far side, in a true profile.

*Note:  once again watch for things like earrings and hair hanging down under the chin, which can look a bit odd. I usually brush hair back and have them remove an earring if it doesn’t look right and looks like it’s dangling under the chin or neck.

Profile view

Camera Angle

Where you place your camera makes a huge difference in how your subject appears in the final image. Keep in mind these are not hard and fast rules. Use them as guidelines and starting points, then use your judgment as each person is unique. Portray that how they wish to be portrayed. When you learn these tips and see how they work in practice it becomes easier and easier to know how to approach each portrait.

  • A high camera angle (above their eye level) will emphasize the face more than the body. This is good for a heavier set person, to help them appear slimmer if that’s desired (HINT: most women will NOT get upset if you make them look slimmer!!)
  • A low camera angle (below their eye or even chin level) can make a person look taller, or seem as if they are more powerful. But, this is not very flattering for most people. You end up looking up their nostrils, and the body appears larger than the head and face, which is generally not desired by most people.
  • For group portraits of multiple people, camera position is generally about eye level, or slightly lower. This cuts down on distortion of the body parts, making them look oddly proportioned.
  • For a portrait of one or two people, having the camera at eye level or slightly higher is the most flattering, for most people.


As well as camera height or angle, which lens you select will also change the look of your portrait drastically.  Think about what we know about different lenses . . .

  • wide angle lenses:  emphasize perspective, distorts things, makes them seem more three dimensional
  • telephoto or long lenses:  compress things, isolate subjects, make them look less 3D

That’s all I’m going to tell you about this, I want to find out what I’m talking about by trying it out.  Look at my examples below, then find yourself a person to photograph and use different lenses and see how it changes the image.


Tell me what you notice about the examples here.  What do you notice changing in each?


How long does it take to master this stuff?

One of the most comment questions I get asked by my students is “how long did it take you to learn all this stuff?” – the answer is two fold: 4 weeks, and 25 years! I say that with tongue in cheek but it’s true. I “learned” all the concepts and guidelines relatively quickly because I was in a two year photography program so I was completely immersed in it. It’s like learning a new language, if you move to that new country and you have to speak it all the time, you will learn a lot faster than only speaking it once a month. The same is true of photography. So the best advice I can give you on how to learn faster, is to get out and photograph more often.

The second part of my answer, the 25 years bit, means that I’m still learning. I’ve learned things from my students and other photographers and do so continually. Don’t ever expect to suddenly “get” it and you can then stop learning. It’s a process, and it’s ongoing. As soon as you think you’ve learned it all, or you know it all then it’s time to quit because you’ve probably lost the passion. At least that’s my opinion.

Call to action – practice at home ongoing

This is not an assignment but rather a suggestion to just start noticing the facial view and how to adjust your subject. If you sit a person by a light source such as a window, you can see that just by them turning their head towards the light, it will also change the lighting pattern that falls on their face. See how this information can then be used to your advantage once you know the basics.

Different facial views will be flattering for different people. Experiment and see what works best for each person you photograph. Have the person sit and just turn their face and see how the shape of their face changes and how the light falls on them differently.

While you’ve got your subject for the last exercise see if you can slip this in too. Take 5 images of your subject from different camera levels. Don’t change your lens focal length, or distance to them – just camera height:

Shravan Gupta Top Photography Colleges in India

If you have visual imagination and a creative eye, your prospects of becoming a successful photographer are bright. As a photographer, you can find employment in a variety of sectors, including Press Photography, Photo Journalism, Fashion Photography, Wildlife Photography, Forensic Photography, Scientific Photography, Industrial Photography etc. You get a chance to do your favorite job, and get highly paid for it as well. If you are looking to pursue an academic course in Photography, here is a list of top 10 photography colleges in India:

  1. Jamia Millia Islamia, Delhi: This institution offers 1 year PG Diploma in Still Photography and Visual Communication. There are 20 seats available for the course, and you should be at least a graduate to gain admission. Admissions are made on the basis of an Entrance test, Personal Interview, Group Discussion and an Internal Entrance Test.
  2. Osmania University, Hyderabad: The University offers a 3 year Bachelor’s degree course in Fine Arts (Photography). You should have passed your 10+2 exam before applying for the course. Admissions are made on the basis of an Entrance test, personal interview, group discussion and an internal entrance test.
  3. Deen Dayal Upadhyay Gorakhpur University, Gorakhpur, UP: The university offers a regular Diploma course in Film & Television photography. You can apply for the course after completing your 10+2. Admissions are made on the basis of your marks in the 10+2 exam, or any equivalent qualifying exam.
  4. Asian Academy of Film and Television, Noida: The institute offers a 3 months regular certificate course in Still Photography and Journalism. Any student who has passed his 10+2 exam can apply for the course. Admissions are made on the basis of your marks in the 10+2 or any equivalent qualifying exam.
  5. A.J. Kidwai Mass Communication Research Center, Delhi: This is a private college affiliated to the JamiaMilliaIslamiaUniversity. It offers a 1 year PG Diploma course in Still Photography. You should be a graduate with minimum required percentage of marks. Admissions are made on the basis of an entrance test, personal interview, group discussion and an internal entrance test. There are 20 seats in total allotted for the program. The complete course costs around Rs. 74600.
  6. Netaji Subhash Open University, Kolkata: It is a Private Deemed University offering 2 year Regular Diploma course in Basic Photography, Advanced Photography. You should have passed 10+2 exam before applying for the exam. Admissions are made on the basis of your marks in the 10+2 or any equivalent qualifying exam.
  7. Tolani College of Arts & Science, Adipur, Gujarat: It is a private college affiliated to the Gujarat university. It offers a 1 year regular Diploma course in Photography and Videography. The college also offers a 1 year Regular Certificate course in Photography and Videography. Eligibility for diploma course is 10th class, and for certificate course is 10+2. Admissions are made on the basis of your marks in the qualifying exam.
  8. The Indian Institute of Digital Art and Animation, Kolkata: Affiliated to the GulbargaUniversity, the institute offers a 3-year B.Sc. program in Photography and Cinematography. The institute also offers a 2-year M.Sc. program in Photography and Cinematography. Total seats for both B.Sc. and M.Sc. program are 40 each.
  9. Center for Research in Art of Film & Television (CRAFT), Delhi: The institute offers a 1-year PG Diploma Course in Mass communication, with specialization in Fashion Photography and Videography. You should be a graduate to pursue this course. You need to fill in an online application form, after which you will be called for an interview, on the basis of which you will be enrolled into the course.
  10. New York Film Academy, Greater Noida: Accredited to the National Association of Schools of Arts & Design, US Department of Education, the academy offers 1-year Diploma course in Digital photography. You should have passed 10+2 exam before applying for the course.

Shravan Gupta :About Digital Photography

1. Experiment

ExperimentLooking over many of the shots that I took in those early days shows me that I took a lot of shots of almost exactly the same things. I approached my subjects in much the same way with every shot and as a result ended up with very similar results. Teach your child how to vary their shots in a number of these ways:

  • shoot from different perspectives – up high, down low etc
  • getting in close – stepping back for a wider angle shot
  • moving around your subject to shoot from different sides
  • experimenting with different settings (teaching them about different exposure modes)

2. Check your Backgrounds

BackgroundsA very simple concept that can enhance an image is to check out the background of a shot to check for clutter or distraction.

Teach your children to scan the background (and the foreground) of an image quickly and to change their framing if there’s too many distractions – otherwise their shots will end up like mine used to with all kinds of objects growing out of the heads of those I was photographing.

Read more about How to Get Backgrounds Right

3. Hold the Camera Straight

StraightThe other obvious problem with many of my first images is that they rarely lined up straight. In fact after viewing my first album for a few minutes I began to feel quite dizzy!

While shots that are not straight can be quite effective (they can be playful or give a more ‘candid’ feel to them) it is good to teach your children to check the framing of their shot before hitting the shutter.

Read more on Getting Horizons Horizontal and Getting Images Straight

4. How to Hold a Camera

Holding-CameraIt is easy to assume that everyone knows how to hold a digital camera – however while many people do it intuitively some will not – particularly children who are unfamiliar with them. In fact I’ve seen a lot of adults who could do with a lesson or two on how to hold a camera and whose images must suffer with camera shake as a result of poor technique.

A quick lesson on securing your camera could help a child get clear, shake free images for years to come.

Further Reading on How to Hold a Digital Camera

5. Get in Close

Get-In-CloseAlmost all of the shots that took in my first rolls of film have my subject somewhere off into the distance of the shot. This is partly because the camera that I was using didn’t have a zoom lens – but it was partly because I didn’t understand how getting in close would help capture the detail of a subject.

Teach your children how to use the zoom on your digital camera – but don’t forget to teach them how using their legs to move closer can achieve the same results!

Learn more about Filling Your Frame

6. Take Lots of Photos

Lots-Of-Shots-1While my Dad’s advice did save our family a lot of money at the time – with the advent of digital photography, taking lots of pictures is no longer something that is too costly (although there are costs in terms of storing them all). Taking lots of images is a great way to learn different techniques of photography.

While you probably will want to encourage your children not to take 100 shots of exactly the same thing – encourage them to experiment with lots of different shots over time and as they do you’ll see their photography improve.

7. Getting the Balance Right Between Photographing People, ‘Things’ and Places

People-PlacesI still remember coming back from my first overseas trip as a teenager (a school trip) and showing my parents my photos. Their first comment was that I had hardly taken any shots of people. All my shots had been of buildings. While some of them were interesting – I missed one of the most important aspects of the trip – those I was traveling with.

I chatted to a friend with two children recently and she told me that one of her children did the same thing with me – but the other came back from a school trip with hundreds of photos of their friends but none of the sites that they saw. I guess some children get too focused on photographing sites and some too focused upon photographing people. If you see your child doing this – perhaps reflect back to them that they think about different types of photography.

8. Find a Point of Interest

Points-Of-InterestInteresting photographs have interesting things in them – they need a visual point of interest (a focal point). Teach your child to identify what this point of interest is before hitting the shutter.

Once they’ve identified the point of interest they can then think about how to highlight it (by positioning themselves, using their zoom etc).

Learn more about Finding Points of Interest in Your Photography

9. Rule of Thirds

Rule-Of-Thirds-1A simple principle of photography that I’ve taught a number of children is the Rule of Thirds. While I’ve talked numerous times about how breaking this rule can also be a powerful effect – it is something that I’ve found really can lift a child’s images – particularly when they are photographing other people.

Even if the child doesn’t completely understand to position their subject right on the intersecting third points – to teach them how to place their subject off centre can be enough.

Read our Rule of Thirds Tutorial

10. Review Your Children’s Images with Them

Review-Photos-Together-1One thing that you can do to help your children drastically improve their photography is to sit down at the computer with them after they’ve been out with their camera to go through their shots.

As you scroll through them pause to affirm them with what they’ve done well and to point out things that they could do better next time to improve their results. Pay particular attention to the shots that they do well with as this will give them positive reinforcement and inspiration to keep going with their hobby.

11. Focal Lock

Focal-LockOne important technique that children will do well to learn is how to use focal lock. While most cameras do well in auto focusing upon subjects there are times when you’ll end up with shots that are out of focus because the camera doesn’t know what the main subject is (particularly if they are placing subjects off centre with the rule of thirds).

Teach your child how to press the shutter halfway down to focus and then to frame the shot while still holding it down and they’ll have a skill that they’ll use forever!

Learn how to Use Focal Lock

12. Different Modes for Different Situations

Digital-Camera-Modes-2The day that i discovered my family film camera had a little dial for different ‘shooting modes’ on it was a day my photography improved a little. Most digital cameras these days have the ability to switch a camera into modes like ‘portrait’, ‘sports’, ‘macro’ etc. Teach your child what these modes mean and when to switch to them and you’ll be taking them a step closer to learning about how their camera works and how to learn about manual exposure modes (see the next point).

Just knowing that different situations will mean you need to use different settings is an important lesson for kids to learn as it helps them to become more aware of not only their subject but things like how light, focal distance and subject movement can impact a shot.

Read our tutorial on Different Camera Modes

13. Exposure Settings

Exposure-1Once your child has a good grasp on the above techniques it might be time to teach them some basics of exposure (this might be one for slightly older kids). Learning about the three elements of ISO, Aperture and Shutter Speed are a useful place to start your lessons and giving them an introduction to how changing these settings can impact a photo.

The best way for them to learn this is by introducing them to Aperture and Shutter priority modes.

Tips for Beginner Photographers

As a new photographer, these are some of the ideas that have helped get me going. Update: Also check out our Digital Photography Tips for Beginners Page.

1. Don’t go crazy buying the most expensive equipment right away.

It’s possible to get very nice photos with an inexpensive point and shoot. See these examples on Flickr. The more photos you take, the more you’ll know about what kind of camera to get when it’s time to upgrade.

2. Consider a tripod.

On the other hand, an inexpensive tripod is worth getting, especially if you have shaky hands like mine. When I got a tripod, my satisfaction with my shots skyrocketed. For even more stability, use your camera’s timer function with a tripod (read our introduction to tripods).

3. Keep your camera with you all the time.

Photo ops often come when you least expect it. If you can keep your equipment relatively simple – just a small camera bag and a tripod – you might be able to take advantage of some of those unexpected opportunities. Or, if your phone has a camera, use it to take “notes” on scenes you’d like to return to with your regular camera.

4. Make a list of shots you’d like to get.

For those times you can’t carry your camera around, keep a small notebook to jot down places you’d like to come back and photograph. Make sure to note any important details, like the lighting, so you can come back at the same time of day or when the weather’s right. If you don’t want to carry a notebook, send yourself an email using your cell phone with Jott.com.

5. Don’t overlook mundane subjects for photography.

You might not see anything interesting to photograph in your living room or your backyard, but try looking at familiar surroundings with fresh eyes. You might catch an interesting trick of the light or find some unexpected wildflowers in your yard. Often a simple subject makes the best shot.

6. Enjoy the learning process.

The best part of having a hobby like photography is never running out of things to learn. Inspiration is all around you. Look at everything with the eyes of a photographer and you’ll see opportunities you never noticed before.

7. Take advantage of free resources to learn.

Browse through Flickr or websites like the Digital Photography School Forum for inspiration and tips. Also, your local library probably has a wealth of books on all types of photography. If you’re interested in learning about post-processing, give free software like the GIMP a try.

8. Experiment with your camera’s settings.

Your point and shoot may be more flexible and powerful than you know. Read the manual for help deciphering all those little symbols. As you explore, try shooting your subjects with multiple settings to learn what effects you like. When you’re looking at your photos on a computer, you can check the EXIF data (usually in the file’s properties) to recall the settings you used.

9. Learn the basic rules.

The amount of information about photography online can be overwhelming. Start with a few articles on composition. Be open to what more experienced photographers have to say about technique. You have to know the rules before you can break them.

10. Take photos regularly.

Try to photograph something every day. If you can’t do that, make sure you take time to practice regularly, so you don’t forget what you’ve learned. An excellent way to motivate yourself is by doing the weekly assignments in the DPS Forum.

11. Don’t be afraid to experiment.

If you’re using a digital camera, the cost of errors is free. Go crazy – you might end up with something you like. You’ll certainly learn a lot in the process.

Shravan Gupta: Pet Photography Tips


Pets fill very quickly their place in our hearts and families and we enjoy having their pictures framed on our desk or wall! However taking pictures of your best friend is not always easy. Pets, unlike humans, do not understand what we are trying to do and won’t just pose for the camera! Here are 9 tips that will help you help you get the most of your photo session

1. Use Natural Light

If possible always use natural light when taking your pet in picture. Avoid flash, as flash burst can, not only cause red-eye, but also frighten the animal. Instead try to go outside or, if it is not possible, in a room well lit by a large window.

2. Keep the Eyes Sharp

Having sharp eyes is important in any kind of portraits photography. As they say, “Eyes are the Window to the Soul” and pets eye can be very expressive. So make sure to focus on your pet’s eyes and keep the tack sharp


3. Go to Them

It is very important that you pet feels comfortable and at ease, so instead of forcing him to come to you go to him. Most important is to get down to his level; We all know how a dog looks when viewed from above, this is the way we always see them. Show us the way they see world! Sit on the floor or lie on your belly and remember to shoot from HIS eye level or below.

4. Give Value to their Character

You know your pet better than anyone else, and a successful picture is one that conveys the character of its subject. If you have a lazy cat show him yawning, if your animal is of a playful type show him in action performing his favorite trick.


5. Go Macro

Put on that long lens and fill the frame with your pet’s face and fur, close up shots often make beautiful animal portrait.

6. Surprise Them

One of the most difficult things is to let your pet hold still. An easy trick is to let him play quietly and, once you have everything ready, let someone call for him or whistle. This will surprise him and caught his attention and you will have a few seconds to capture him in a nice and alert posture


7. Schedule your Session

If you are longing for a formal pet portrait shot, try to schedule the photo session when you’re animal is somewhat sleepy or has just woke up it will be much easier to keep him still then. If you want a more dynamic shot then pick up a time when your pet is energetic. If he is sick it is better to just postpone it for another day.

8. Be Patient

Pet photography requires a lot of patience. No matter how excited your furry friend is, if you are patient enough, he will end up by relaxing and you will have the opportunity to get a decent shot.


9. Experiment

Take your time and enjoy the session, try different approaches, angles and compositions. Shoot a lot you will have time to worry about the results later.

You have a tip that I forgot to mention here ? Make sure to share it with us